By Charles Cahier
Relying on historic wall and ground tiles, cloth styles, tapestries, wall hangings, and different designs originating within the heart a while, the Renaissance, and later eu and Islamic cultures, Charles Cahier (1807–1882) and Arthur Martin (1802–1856) produced a piece of real inventive contrast. integrated are a wealth of correct floral, animal, chook, and geometric styles, rigorously researched and meticulously redrawn to be used in a myriad of photo and creative tasks. a few of the motifs are followed by way of complementary border designs, a regularly crucial accent.
This variation faithfully reproduces the version released in 1868, titled Suite aux mélanges d'archéologie. It represents a useful copyright-free source embodying the best designs from historical assets, prepared to be used by means of artists, illustrators, craftspeople, and architects operating with textiles, wallpapers, inside ornament, and different projects.
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Additional info for 376 decorative allover patterns : from historic tilework and textiles
11501 Library of Congress Cataloging-in-Publication Data Cahier, Charles, 1807—1882. [Carrelages et tissus] 376 decorative allover patterns from historic tilework and textiles / Charles Cahier and Arthur Martin. p. —(Dover pictorial archive series) “Contains all the plates from Suite aux Melanges d’archéologie ... [Premiere série: Carrelages et tissus], originally published in two portfolios by A. p. verso. 9780486155494 1. Repetitive patterns (Decorative arts) 2. Tiles, Medieval. 3. Tiles, Renaissance.
DOVER Pictorial Archive SERIES This book belongs to the Dover Pictorial Archive Series. You may use the designs and illustrations for graphics and crafts applications, free and without special permission, provided that you include no more than ten in the same publication or project. Y. ) However, republication or reproduction of any illustration by any other graphic service whether it be in a book or in any other design resource is strictly prohibited. Manufactured in the United States of America Dover Publications, Inc.
A number of these textile patterns are based not only on extant examples but also on depictions in paintings of the fifteenth and sixteenth centuries. Cahier refrained from identifying the sources of the various patterns, feeling that only Martin’s prodigious memory could have done justice to the documentation. Thus, there were never any captions. The plates proceed, generally, from simpler linear patterns to more complex ones; those that incorporate figural material are reserved for the latter part of the work.