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Download Business And Legal Forms for Fine Artists (3rd Edition) by Tad Crawford PDF

By Tad Crawford

• 22 convenient varieties on CD-ROM to fulfill artists’ wishes, with instructions• Protects artists’ rights• Replaces ISBN 1-58115-031-8The 3rd version of this eminently necessary ebook comprises new varieties for advertisement rent, sublease, and hire task, plus: agreement for the sale of an paintings, agreement for a fee, delivery-of-art affirmation shape, agreement for an exhibition personal loan, version unencumber, and masses extra. every one shape contains step by step directions, recommendation, and targeted negotiation checklists for making the easiest deal attainable. A handy CD-ROM we could purchasers customise and print their kinds from any laptop or Mac. each tremendous artist wishes a replica of this impressive advisor!

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Additional resources for Business And Legal Forms for Fine Artists (3rd Edition)

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If the artist does not know who purchased the works and where the purchasers live, a retrospective exhibition and even access to take photographs are nearly impossible. The gallery may resist giving these names on the theory that the artist will then sell directly to the gallery’s clients. One 40 FORM 7 solution might be to have a neutral third party hold the names and contact the purchasers for reasons specified in the contract, such as a retrospective exhibition. The commission for the gallery varies in the range of 25 to 50 percent of the retail sale price.

If sales are made, the amounts paid as a stipend are subtracted from the amounts due to the artist. Problems can arise when sales are not made and the gallery takes artworks to cover the stipend. If the gallery ends up with too many of the artist’s works, it is as if the artist has an alter ego. The gallery may be tempted to sell its own works by the artist ahead of works by the artist that are on consignment. The artist may want to create a network with a number of galleries, setting limitations with each as to the types of work, areas, and exclusivity.

Require that the gallery exercise best efforts to sell the artist’s work. ❏ Specify the efforts to be exercised by the ❏ Do not agree to a “net price” commission, under which the gallery agrees to pay a fixed amount to the artist when the work is sold, since this will allow the gallery to charge higher prices and, in effect, pay a lower commission rate. ❏ If the gallery is selling works in different media, consider whether the commission should vary from one medium to another. gallery, such as providing an exhibition for a certain number of days during the exhibition season.

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